In the ever-evolving dance of human progress, it's fascinating to witness the steady integration of robots into our cultural landscape. No longer confined to the realms of factories and laboratories, robots now inhabit our homes, workplaces, and even our imagination. As we continue to explore the possibilities of artificial intelligence and robotics, it's essential to remember that the true measure of their impact lies not in their technical capabilities but in how they enhance and augment the human experience.
Robots are distinctly not human in several ways – they don’t need food or rest, they can perform the tasks they have been programmed to do perfectly, and they cannot make decisions on their own or change what they were programmed to do (for now) - to name a few. Oh, and the data they store doesn’t die off with them. They can store and access data digitally at a moment’s notice. This is one of the reasons that a few people have started viewing them as ‘cultural preservationists’ for intangible cultural heritage such as dance or music. However, it isn’t as simple as robots storing footage or mp3 files of culture like hard drives, but rather as performers themselves.
Let’s take a look at how robots are changing the conversation about cultural preservation in significant ways, and what better place to begin than Japan.
According to a study conducted by Selma Sabanovic in 2014, there has been an increasing interest in robots and AI in Japan, which has resulted in the emergence of a thriving robot culture. One of the first robots to broaden its functionality was the HRP-2 (Humanoid Robotics Project - 2) robot, which was developed by Japan's National Institute of Advanced Industrial Science and Technology (AIST), University of Tokyo, and Japan Science and Technology Agency (JST) CREST. The HRP-2 was used to showcase traditional Japanese arts, such as Aizu Bandaisan folk dance, Kodo drumming, and Bo jutsu, in order to preserve the cultural heritage of Japan in the event of human extinction or similar circumstances that could prevent humans from carrying on these traditions. The study also suggests that integrating cultural practices into AI can help reduce hostility and increase acceptance of AI's role in art.
The topic of appearance is crucial in performing arts, including AI-generated art or robotic renditions of artistic performances. The social reception of such work is complicated because perceptions can be swayed to extremes. If the likeness to human art is too close, it can create feelings of unease, which is known as the uncanny valley hypothesis [1]. On the other hand, if the performance lacks sufficient human-like qualities, it may appear alien or disconnected. To address this challenge, the AIST collaborated with anime artist Yatuka Izubuchi to create a prototype. Humanoids are popular in anime and the work of Izubuchi is widely accepted. By leveraging the familiarity and cultural context associated with anime characters, the robot can be more easily accepted while also enriching the existing cultural landscape.
However, it is important to consider the potential drawbacks of using anime-inspired design in AI and robotics. One concern is that the cultural associations of anime may overshadow or bias people's perception of the technology. This issue is particularly relevant in Japanese robot culture. Research has shown that human-dance performances by robots are generally perceived as unattractive. A study by Darda et al. (2024) reported that people showed agent congruence – they liked it best when a human avatar performed human-generated choreographies, and a robot avatar performed computer-generated choreographies, instead of incongruent choreographer-performed pairings. This is the paper we talked about in our last blog - Dancing with Algorithms!
The scientists found that indigenous movement practices incorporate genuinely embodied knowledge, and that skilled performance of haka is deeply mindful, embodying and transmitting dynamic, culturally shared understandings of the natural and social world. The indigenous psychologies incorporated in haka performance are animated by a shared history integrated with its environment. Does a robot have ‘skill’ if it always performs the movements of a dance perfectly? Will it be practicing mindfulness while performing said dance?
When performing a dance together, there is a synchrony in collective action [3], the social and environmental scaffolding of affect and emotion, and the multi-layered relations between past and present. From the research that the scientists had done, they came to the conclusion that culturally embedded systems of skilled movement like the Māori haka may constitute specific ways of thinking and feeling. If a robot can’t replicate or feel this sense of culture or history, is it truly preserving the essence of said culture?
The answer to that question might be subjective, and we might be a long way away from answering it, but one thing is certain - whether they're dancing alongside us in virtual arcades or serving as cultural preservationists of our communities, robots are not just machines; they're reflections of our ingenuity, creativity, and endless capacity for exploration. We may not know how they’ll end up affecting our culture or how reliant we might be on them in the future, but let’s try to embrace this dance with the machines, hoping that the rhythm of our future is a harmonious blend of humanity and technology.
- Varun Kheria & Tanvi Raghuram, ARISA Foundation